COGNITIVE
OXYMORON GRAPHIC VISUALIZATION CONCEPT
COGNITIVE OXYMORON GRAPHIC VISUALIZATION CONCEPT
“Oxymoronic
objects choreography and paradoxical oxymora antithesis visualization” is a set of author’s
“know-how” graphic-making methods addressing to creating cognitive oxymoron graphic that call visual attention to an
apparent contradiction (superficially scenes contradictory) of objects in
actions or non-actions but juxtaposed in such a way that there is no
contradiction and being deliberately intended to confuse and designed to
provoke a laugh.
More information might be found at the Author's blogging web-resource page.
“BOOKFACE”
Motivational and Inspirational Call-2-Act Imagery Concept
“BOOKFACE” or else alternatively called “FACE-BOOK-CASE” is
the Author elaborated term for conceptual idea of specifically designed scene visualization to be created
with exploiting a set of special artistic imagery visual perception techniques
and to be intended to help the viewers’ targeting-audience to get a new
knowledge.
The given cognitive associative teaching-approach incentive is addressed
to finding the solution for concrete “problematic case” and making the certain call-to-action
decision after visually digesting the whole imagery scene.
“BOOKFACE” concept works just fine in combination with so called "Science of Stupid FT./VS. Science of Wisdom" scene composition approach.
More information might be found at the Author's blogging web-resource page.
More information might be found at the Author's blogging web-resource page. |
FAKE IMAGES AND CARICATURE UTILIZATION UNDERLYING CONCEPT
This visualization concept exploits the imagery-analogy with “Time’s Up!” table-game developed by Peter Sarrett and basically consists in characters’ role-playing appearance (celebrities prototypes) in the animation scenes.
The fairy-tales modern-day equivalent interpretation concept of animated scenes together with “Dimanasus Prophecy Time’s Up!” visualization concept are addressing to wide-range auditory to be told the whole story in the way of philosophical, allegorical and metaphorical funny-jokes-telling.
The “Dimanasus Prophecy Time’s Up!” box is an allegory that is addressing to “Anti-Sexual
Harassment” and “Anti-Human trafficking” issues.
The animations, or animated cartoon scenes, might be described as a gestalt
cognitive and mnemonic art-work enriched in meaning and depth, embedded with
allegory and symbolism, with the goal of “sending” messages that should capture
a segment of the audience’s attention.
The Tarot cards “future modeling”
readings visualization is to serve as the cognitive, mnemonic oxymora visual-understanding
of the human being inner cosmic nature world having a cosmic meaning and
implying cosmic responsibility and creating uniting of contradictions but
causing “cognitive discord” when it is addressing to the issues such as in
particular, but not limited, “sexual harassment allegations”, “sexual assault
and inequality” and “human trafficking”.
The storyboard sketches presented on the
form of screen-shots are made using caricatures and digitally manipulated fake-images of easy-recognizable, celebrity and world-famous people; however
there was never the Author's intention to be disrespectful or offensive
in any way towards any of them.
The caricature and fake images
utilization is used as a source of common, not-depending on cultural and ethnic
aspects, cognitive and mnemonic oxymora-
illustrative associations visualized by applying various picture-making methods and techniques that
allows the audience easily recognizing and to “post-action-associatively”
analyzing and even predicting the event that involves such personages, especially
in the case of their dreams visualizations that gives hints for foretelling the
event in future scenes or episodes.
Here is the list of digitally
manipulated fake images, photos and caricatures of easy-recognizable, celebrity
and world-famous people:
-Kristen Dunstan, Angelina Jolie, Brad
Pitt,Will Smith, J. Aniston, K. Spacey, T. Swift, R. Atkinson, Bruce Willis,
Britney Spears, Cameron Diaz, Madeleine Albright, Sean Connery, Claudia
Schiffer, Paris Hilton, B.Obama, J.Bush, Tom Cruise, Samuel L. Jackson, Tom
Cruise, Johnny Depp, Katy Perry,Keanu Reeves, Jim Carrey, Jack Nicolson, Al
Pacino,Alessandra
Ambrosio, Alfred
Hitchcock, David Beckham,
Adriana_Lima,Albert Einstein, Harry Poter, George Clooney, Jeanette Biedermann,
Evangeline Lilly, Courtney Cox, Nina Dobrev, Miley Cyrus, Carrot Top, Michael
Moore, Vin Diesel, Leroy Johnson,Ozzy Osborne, Arnold Schwarzenegger, Gillian
Anderson, etc.
FAKE IMAGES AND CARICATURE UTILIZATION UNDERLYING CONCEPT
This visualization concept exploits the imagery-analogy with “Time’s Up!” table-game developed by Peter Sarrett and basically consists in characters’ role-playing appearance (celebrities prototypes) in the animation scenes.
The fairy-tales modern-day equivalent interpretation concept of animated scenes together with “Dimanasus Prophecy Time’s Up!” visualization concept are addressing to wide-range auditory to be told the whole story in the way of philosophical, allegorical and metaphorical funny-jokes-telling.
The “Dimanasus Prophecy Time’s Up!” box is an allegory that is addressing to “Anti-Sexual Harassment” and “Anti-Human trafficking” issues.
The caricature and fake images utilization is used as a source of common, not-depending on cultural and ethnic aspects, cognitive and mnemonic oxymora- illustrative associations visualized by applying various picture-making methods and techniques that allows the audience easily recognizing and to “post-action-associatively” analyzing and even predicting the event that involves such personages, especially in the case of their dreams visualizations that gives hints for foretelling the event in future scenes or episodes.
“Throw off the mask & Unmask yourself”
“Dimana$U.$. Prophecy” story introduces the audience to a higher meaning of what is commonly called "love" and “attraction” that applies to the social phenomena of “Wearing the Masks” and “Attaching the Labels” causing the people around you to get the wrong impression about who you really are; thus the wrong impression can cause you to be sucked into lots of trouble.
The “visionary” introduction to a higher
meaning of "true love" implies the social-engaged issue called
“know-how to love” that is revealing a “state of mind approbation” (SOMA)
superior than “state of soul” (SOS).
The visualization concept called “throw
off the mask & unmask yourself” is employed to show “wannabe” characters
through neither what they say nor omit in conversations but through juxtapose “masked
and unmasked” characters’ interactions with their hidden and unspoken feelings. The “wannabe” visualization makes characters absolutely
distinctive by comparing their “masked” and “unmasked” actions and interactions
at the certain scenes and attempts to awaken the
audience, each and every one, to the dangers that exist when people opt for
“mask wearing” conformity over the individuality and for personal-identification security
over the FREEDOM of mind.
Some graphic published herein is a composite design consisting of several royalty-free and free-to-copy images. Selective images are not recommended for viewing by “-18” age-group audience.
“Dimana$U.$. Prophecy” story introduces the audience to a higher meaning of what is commonly called "love" and “attraction” that applies to the social phenomena of “Wearing the Masks” and “Attaching the Labels” causing the people around you to get the wrong impression about who you really are; thus the wrong impression can cause you to be sucked into lots of trouble.
The visualization concept called “throw
off the mask & unmask yourself” is employed to show “wannabe” characters
through neither what they say nor omit in conversations but through juxtapose “masked
and unmasked” characters’ interactions with their hidden and unspoken feelings. The “wannabe” visualization makes characters absolutely
distinctive by comparing their “masked” and “unmasked” actions and interactions
at the certain scenes and attempts to awaken the
audience, each and every one, to the dangers that exist when people opt for
“mask wearing” conformity over the individuality and for personal-identification security
over the FREEDOM of mind.