Nobody else but the Author:
Furniture of the Author's mind
Annotation of Background Stories and
Screenplay Adaptations
Throughout
publishing our YouTube channel media content with educational and promotional
purposes we present original ideas, scripts and storyboards created by the
Author to demonstrate the elementary principles of visualization style and
techniques described-in-annotation at the Author’s Blogging Website.
Created animated short-length
video-teasers are presented in the form of Animatics to boost “Dimana$U$ Prophecy” Project popularization and to explain
complicated ideas, dedicated to presenting of screenplay adaptations, with ease and fun.
The
screenplay adaptations are based upon the Author’s novelettes such as the
followings titled:
(1) “Dimanasus Prophecy”,
(2) “Dreams Inside Out”,
(3) “Dreaming Upside-Down”
(4) “FREE-DOM”.
The synopsized screenplay adaptations are targeted to revealing and giving
the clue about “what really the heroes have been driven by” through depicting
their actions and thoughts in a specific “big contradiction and cognitive
discord oxymoron” way that is aimed to distinguishing the heroes’ so called
“reality from hypocrisy” characteristics which are expected to be found quite
easily by sophisticated reader.
The synopsized screenplay adaptations include
Author-written poems/lyrics (Russian, English, Italian and Spanish) woven with
“wisdomization” motivational and inspirational sayings.
Screenplay adoption on demand publishing concept
annotation
The
Author’s novelettes are intended to be published on-demand in cooperation with the parties concerned. On‑demand publishing is a unique
process and service of making novelettes available for retail sale to the
public as e-books taking advantage of on‑demand producing and Internet
marketing. On‑demand publishing includes promotions, retail sales, producing,
order fulfillment, accounting and collecting royalties on behalf of the Author.
SELECTIVE STORIES ANNOTATIONS
Each background story depicts selected “forbidden
history” events which are based on historical facts and casting a glance round
1914-2014 period of USA, USSR (Russia) and China’s impacting on the world
history (e.g. “World War I/II: Stalin-Churchill-Trumann’s high official
meeting in 1947”, “Russian October Revolution”, “World Economic Collapses”) and
which the characters have got an involvement into. By mixing “Dimana$U$
Prophecy” main-background story with its spin-off stories, as adaptation
of selective chapters of “Dreams Inside Out”
and “Dreaming Upside-Down” novelettes, the Author presents his
"Futuro-Logical Subjunctive Mood” conceptualization-as-visualization
intended to help the audience -
(a) to reveal each character role-playing and true-motivation driven;
(b)
to get immersed into so-called “time-lapsing wrapped up in
virtually-emulated reality” environment.
The background story of “Animated Cartoon” and
“Animated Cartoon Series” is based upon the screenplay adaptation of the
Author’s novelette “Dreams Inside Out” in which the Author gives the
introduction to his "wannabe-celebrity naked truth" oxymoron-personification theory.
“Bill-Yard Hot Game”
“Bill-Yard
Hot Game” short-length film story is a selective screenplay scenes
visualization that is focused on introducing the “Dimanasus
Propehcy”whole-story characters such
as “Victor” and“Slava”, “Fly” and “Blow", “BraBra” and
“Dinamo” (Casting).
The “Bill-Yard Game” story is to be
told in a few sub-stories which are seemingly not connected to each other since
very beginning but which, by giving “clues and hints”, allow spectators to make
“guesses” about that all sub-stories are depicting the same characters in their
different life-periods.
The main “Bill-Yard Hot Game” story is about
three young nice looking women, the characters of “Fly”, “Blow" and
“BraBra” who were “playfellows” born in the same poor village and growing
up during the USSR-time of “PERESTROYKA” and who have been bearing a grudge
against one another for a such long time just waiting for “the suitable moment”
to take revenge on each other. One day they have met two young fellows, the
characters of “Victor” and “Slava”, living in a big city and the
“suitable moment” has come and so called “Bill-Yard Game” has begun; however, nobody
knew that their “GAME” has been watched .For many years each
week-end those two nice looking guys have been arranging so called
“Bill-Yard” billiard-game parties, very HOT parties! Those three young luxury
looking ladies had no clue how dangerous for them that GAME will be. Each guy
had his own hidden agenda and one day three young women have just vanished soon
after such billiard party was over”.
“Anderson Wedding Fairytale”
“Anderson Wedding Fairytale” is a continuation of “Town Girl
Psychology” story which is mainly focused on
introducing the “Dimanasus Propehcy” whole-story characters such
as “Dinamo” and “Al Cap-One” (Casting:Casino and Night Club
owner),“Alisa Mirror”, “Stale Joke”, “Steak”, “Pussy” (Casting: Casino
Staff) and “Gestapo-$.$.”(Casting: Casino Co-owner).
The film
episodes with docufiction-“get inside” elements are based on tourist
journalist- dilettante original novel story investigation (mainly made by using
hidden camera and mobile phone video-shooting) results and to be screened as
undercover video device screen-framed shots with applying my visual techniques
that causes so called “spectator-get-inside” self-presence and
event-being-involved effects.
According with a plot a few well-rounded film characters (“lifelike” people”)
launch their own parallel investigations separately in different places and
times that finally direct them to be trapped into one “every one peeps on
everybody” spy-but-funny story based upon original screenplay properly modified
and adopted for docufiction-movie. In its deep meaning such
participatory and per-formative docufiction-movie reflects my
artistic point of view on certain issue and topics reflected in a plot having
hidden underlined messages plus some moral and ideological ambitions.
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The detailing of the Author’s ideas and underlying concepts together with the provision of business plan, synopsis-screenplay, storyboard visualizations and all other relevant media materials, that form the basis of “MEGA-Version” of the Author’s Project, are available at your request only after signing “Letter of Intent” with the Author .
The “Letter of Intent” states the appropriate conditions of your financial participation in producing at least one of the audiovisual products.
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